works
diptych: Sacred Geometry
The Square: Displacement with no End invites embodied cognition to take center stage in a living laboratory for the anthropology of movement, which seeks to identify how movement patterns reflect cultural values and social and political implications, such as migrations and identity.
The Circle or Prophetic Dream is about ecological reconciliation. It is an anthropological investigation of how the body and oral tradition inhabit space as new forms of nomadism, amid the current migration crisis caused by displacement, climate change, and land appropriation.
triptych: Memories of a Disabled Child
Childhood memories intertwined with intergenerational trauma. Escapism from reality to worlds of fantasy and symbolism. Parallels between the mystical and embodied experiences. YO OBSOLETE meditates on imagination as a survival mechanism.
A Garden in the Shape of Dreams meditates on Paracosm, a persistent evocation of an imagined place, inhabited by imaginary people or beings. A complex response to times of hardship and trauma in childhood.
Chronic illness; systems of violence experienced by disabled children; collecting toys as a coping mechanism: A Fuzzy Yellow Spot is a collage of intertwined memories that amplifies the role of Visual Impairment in imagination, frustration, and grief.
Above Deep Waters digs into the life and legacy of artist and educator Hans Hoffman. The end result is a rich collage of evocative poetry, sublime sensory imagery, and playful movement.
Playback is a performance that exists in a nostalgic temporality. It seeks a tangible connection to the creative process, its unpredictability and imperfection, through obsolete analog objects, creating profound textures of time through spontaneous moments.
The Best Horses Win Against Better Rivals addresses themes of displacement, the ethics of immigration, and the ecology of reconciliation in times of current geopolitical crisis.
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